Richard Mille has unveiled its latest technical timepiece with a rebellious spirit - the “Horn To Be Wild” RM 66 Flying Tourbillon.
Attired in a fully curved, tripartite tonneau-shaped case made of Carbon TPT and grade 5 titanium, the actual RM 66 features an incredibly complex build that underwent an arduous manufacturing process with high level of quality control. It stars a golden skeletal hand gesturing “the devil’s horns” as the centerpiece, which is set in place over the manual winding tourbillon calibre. iwc big pilot replica
Positioned at the 12 o’clock mark is a skull seal that pays homage to Richard Mille’s iconic RM 052 model, which is also the particular brand’s first watch in order to “stir up rebellion and the advent of non-conformity in haute horlogerie. ” The skull motif is echoed on the spidery as well as claw-like torque-limiting crown, accompanied by polished red gold pyramid studs. In addition , the watch incorporates unusual-looking hour markers that are screwed onto the upper flange, which comes in a shape that emulates guitar picks to add to the rock’n’roll aesthetics.
Richard Mille knows how to get conversations started on the world-wide-watch-web. Whether you love the brand or hate it, you’re bound to feel something when confronted with a picture of a new RM release on your Instagram feed. Which kind of means they’re doing something right.
This latest model is actually anything but short of divisive. At first glance, the RM66 “Horn To become Wild” looks like a watch made for two sides of extreme. Exhibit A: aging rockstar who wears deep v-neck t-shirts, skinny jeans and prayer beads, this rockstar once lived to be able to beat the system, and now resides in a 20 million pound home in Kensington. Display B: L. A. hypebeast decked out within Amiri with zero taste barometer and a rose gold Brabus G Wagon (car reference courtesy of Highsnobiety automotive editor Jonathan Schley).
Now for the actual watch and its contents. The rose gold openwork hands, which sits as the proud centerpiece of the RM66 will be instantly recognizable. Its representation of the “sign of the horns” symbol was popularized by Ronnie James Dio of Black Sabbath fame. The link isn’t hard to make: think Ozzy Osborne biting off bat heads, think Gene Simmons and his “The Demon” stage persona (or the Family Guy parody thereof), believe Hells Angels and faded “I heart mom” tattoos. The “sign of the horns” is ultra emblematic to a modern audience, but this type of skeletal imagery has always been imbued with meaning. Visual artists have employed the same code for hundreds of years, typically as a Memento Mori - a symbolic reminder from the inevitability associated with death. Found across various mediums, these ancient skulls weren’t intended to scare. Peversley, they were a jovial reminder of the imminent pleasures in the afterlife as famously depicted in the Danse Macabre. This watch uses much of the same code. The RM66 isn’t morbid, it’s life affirming, it’s rock and roll.
The message carries through onto the design of the rest of the view. No surface or detail is spared of the punk rocker aesthetic. The Co2 TPT bezel and caseback almost resembles a Glam Rock style monochrome animal print, typically the caseband features 5N red-colored gold plates with a clou de Paris pattern (aka a studded belt pattern, the ultimate a-hole rock signifier and early 2000s Kelly Osborne / Avril Lavine accessory) and also the gothic-inspired spider-like crown displays a small head engraving and also encases a synthetic ruby. The actual crown looks like the top of the scepter, a symbol of gothic culture; it embodies something I like to call The Great Frog visual: a crossover of gothic, punk along with leather. But let’s set these audacious looks aside for a second, because there’s a whole lot of fine watchmaking happening inside of this particular black carbon TPT tonneau shaped situation.
The openwork Richard Innumerevoli RM 66 features a manual winding caliber which showcases a fast-winding barrel positioned at six o’clock as well as the tourbillon at 12 o’clock. The grade 5 titanium movement, whose lines follow those of often the hand, is highly skeletonized. This is possible thanks to a flying tourbillon having a cage that is fixed at only one end of it is axis, eliminating the upper bridge.
The tripartite case is usually assembled using 20 spline screws inside grade five titanium and is fitted with 2 Nitril O-ring seals for you to 50 meters of water resistance.
Of course it is all in the material at Rich Mille RM 66: The particular Carbon TPT used is composed of multiple layers of parallel filaments obtained by dividing carbon fibers. These levels are then woven on a special machine and heated to 120°C. Using Carbon dioxide TPT basically means there is far less chance of you scratching, cracking or even making nicks in your enjoy. The damascene effect (I’m still calling it pet print) differs from one see to the next, making each observe unique. Back to the decorative elements of this specific openwork splendor. There is a small skull engraving set atop the tourbillon, which echoes the skulls we’ve seen in previous RM designs. Typically the indices could be mistaken for joint sockets, or tiny baby teeth. Turns out they are meant to be guitar plectrums.
Often the engraved palm is attached to the barrel bridge, with the index in addition to little fingers outstretched plus visible from the front, whilst the thumb holding the middle and ring fingers are visible through the back of the watch. Whether this is very much your cup of tea or your worst possible nightmare, the decoration work executed here deserves all the praise and more. As somebody who has collected and inherited charms since their earlier teenage years, the level of fine detail on this x-ray hand offers me wondering if RM only hires engravers along with doll-sized hands. The finishing is indeed guide, with the contours of the bones and delicate joints created by deburring and polishing.
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