Eminent Bharatanatyam craftsman and researcher, Bala Devi Chandrashekar, accomplished a notable achievement at the UNESCO base camp in Paris as her film fixated on the Thanjavur Enormous Sanctuary, otherwise called Brihadeeswara Sanctuary, was divulged in France.

Named Brihadeeswara - Structure to Shapeless, the film gives a significant investigation of the UNESCO legacy site in Tamil Nadu, going back 1000 years, through the viewpoint of a sanctuary artist, or Devaradiyal thought about the high priestess of the sanctuary. Representative Vishal V Sharma, the Super durable Agent of India to UNESCO, introduced the film in Paris recently.

Chandrashekar underscored, "The sanctuary is a demonstration of India's craftsmanship and social way of thinking, remaining as a structural wonder for a thousand years and gathering deference from individuals around the world."

The film gives proper respect to this antiquated Brihadeeswara sanctuary arranged southern territory of India, Tamil Nadu. By extraordinary exploration and under the direction of the researchers this examination shed light on the sanctuary's verifiable importance and imperative association between the physical and magical.

Utilizing the condition-of-workmanship innovation and top notch creation, the film creation is pointed toward protecting the pitch and energy of the live presentation, making a truly captivating and extraordinary experience.

"All old messages from our district have messages that are exceptionally pertinent in this day and age. My central goal is to take on points and present them to different crowds across the world," she said.

The foundations of Bharatanatyam, a conventional Indian dance structure, can be traced back to around the second century CE. The old Tamil amazing, Silappatikaram, gives depictions of early types of this dance. Moreover, models in sanctuaries from the sixth to ninth century CE demonstrate that dance had developed into a modern exhibition of craftsmanship by the center of the first thousand years CE.

The Brihadeeswara Sanctuary at Thanjavur in the southern province of India which was worked by Chola Ruler, Rajaraja I of the Chola tradition. The sanctuary has delightful and huge wall painting artworks tracing all the way back to thirteenth hundred years. Strangely, there are carvings of 81 out of 108 dance presents, known as karanas, utilized in Bharatnatyam.